Should We Be Punching Nazis? – Talking Points Memo

From Josh Marshall, and in keeping with Betteridge’s Law of Headlines:

Pushing civil society from talk and voting to violence and paramilitaries is what the fascists are trying to accomplish – moving from the rule of law to the rule of force. By every historical standard and also by almost every philosophical one, this is a victory for, if not fascism, then certainly authoritarianism. The answer to Nazis and white supremacists isn’t flowery talk or left-wing paramilitaries. It’s a stronger rule of law and an empowered state behind it. We have our work cut out for us.

Source: Should We Be Punching Nazis? – Talking Points Memo

By Immigrants, For Immigrants: Why “Casablanca” Still Matters – Los Angeles Review of Books

Cover of the book

Like many films of its era, Casablanca was made primarily by European immigrants or their offspring. Director Michael Curtiz was Hungarian-born, and screenwriters Julius and Philip Epstein were the children of Jewish immigrants, while their film was teeming with actors who had also fled Europe in the previous two decades. (Sakall played Carl, the head waiter of Rick’s Café Américain.) This demographic on set was not unusual. As recounted in Neal Gabler’s An Empire of Their Own, Hollywood and the American myths it perpetuated were in fact created almost entirely by Jewish immigrants. Gabler writes, “These Eastern European Jews, so afraid of being seen as un-American, helped create our modern American culture.” In these terms, however, Casablanca is a significant outlier. What separates it from its cinematic peers — if it has any — is that it refuses to hide the immigrant experience.

Via By Immigrants, For Immigrants: Why “Casablanca” Still Matters – Los Angeles Review of Books

Best Southern Albums 2016 — THE BITTER SOUTHERNER

Bitter Southerner's Best Records 2016 graphic

Music, like food, gives us common ground. Political forces drove many of us apart this year. They brought to the surface issues that were long overdue for discussion. They left many Southern families torn by unspoken tensions, even over the Thanksgiving table. But when the needle drops onto a record, folks don’t care much about the color of the musician if the song shakes our asses or touches our hearts.

More here.