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Jeffrey Rosen in The New York Times Magazine: The Unregulated Offensive

As Epstein sees it, all individuals have certain inherent rights and liberties, including ‘’economic’’ liberties, like the right to property and, more crucially, the right to part with it only voluntarily. These rights are violated any time an individual is deprived of his property without compensation—when it is stolen, for example, but also when it is subjected to governmental regulation that reduces its value or when a government fails to provide greater security in exchange for the property it seizes. In Epstein’s view, these libertarian freedoms are not only defensible as a matter of political philosophy but are also protected by the United States Constitution. Any government that violates them is, by his lights, repressive. One such government, in Epstein’s worldview, is our government. When Epstein gazes across America, he sees a nation in the chains of minimum-wage laws and zoning regulations. His theory calls for the country to be deregulated in a manner not seen since before Franklin D. Roosevelt’s New Deal.

Is That a Poem? – The case for E.E. Cummings. By Billy Collins, at Slate

“In the long revolt against inherited forms that has by now become the narrative of 20th-century poetry in English, no poet was more flamboyant or more recognizable in his iconoclasm than Cummings. By erasing the sacred left margin, breaking down words into syllables and letters, employing eccentric punctuation, and indulging in all kinds of print-based shenanigans, Cummings brought into question some of our basic assumptions about poetry, grammar, sign, and language itself, and he also succeeded in giving many a typesetter a headache. Like Pound, who never wrote an obedient line, Cummings reveled in breaking the rules of grammar, punctuation, orthography, and lineation. Measured by sheer boldness of experiment, no American poet compares to him, for he slipped Houdini-like out of the locked box of the stanza, then leaped from the platform of the poetic line into an unheard-of way of writing poetry….”